The International Street Cannibals (ISC), the multi-genre new music ensemble of seasoned and exploratory chamber musicians/composers, directed by Dan Wotan Barrett, and co-directed by Chala Yancy and guest co-director Joe Gallant, will crown its 2012-13 season with Hour of The Beast, on Sunday, May 5 at 7:30 p.m.
A 2-hour mosaic of short works plumbing the sensibility of totemistic belief, this butt-kicking event will set the rawest modes of rock against classic techniques, in an ungovernable melange of incongruous transcriptions and new music compositions from some of today's most establishment-unfriendly composers. The course of this incendiary hullabaloo will usher in the dance components of Megan Sipe and Amanda Mottur, bellydancer, which will serve to "translate" the music, spatially. Among the tidbits of this savage musical repast will be renderings of several Beethoven Bagatelles with piano, belly dance and electro/acoustic ensemble; a malformed chamber version of Captain Beetheart's "When I See Mommy I Feel Like A Mummy" with go-go dancer; a schizo-affective rendering of Sam the Sham and The Pharaohs' "Wooly Bully"; a recitation, in the original Ionic dialect, accompanied by tribalistic sonorities, of Homer's Hymn to Demeter; and some solo bijoux by Mr Kigawa. Hour of The Beast is part of ISC's Holding Tank series, which offers a mix of traditional and non-traditional chamber works by European masters, contemporary American composers and satirists, as well as improvised and semi-staged works exploiting the spatial qualities of venues in novel ways.
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