- the sun ra arkestra meets salah ragab: in egypt
(1999, cd, usa, golden years of new jazz gy 1)
"In
June 1971, I sent an invitation to Sun Ra from Cairo and six months later the
Arkestra came to the land of the pharaohs in order to play for the first time
at the foot of the pyramids. When Sun Ra and his Arkestra played in my living
room in Heliopolis on December 12, 1971, Salah Ragab was one of my guests. It
was their first personal contact.
Sun Ra
set out again 12 years later to gaze into the eyes of Sphinx. In May 1983 he
went into El Nahar Studio in Heliopolis with Salah Ragab in order to record two compositions of Salah Ragab. To my knowledge it
had never happened before that Sun Ra and his Arkestra played compositions of a
contemporary musician from outside. Maybe he was taken with the initials of
Salah Ragab which were the same as in his own name, or he was fascinated with
the fact that his own name was part of Ragab's name. To my knowledge, Salah was
the only non Afro- American, apart from Leah Ananda from Kashmir and Roger
Aralamon Hazoumè from Dahomey, to be documented on record with Sun Ra.
In 1984
Sun Ra came to Egypt for the third time. Also for this last visit Salah played
the drums in the Arkestra when the band played at the small Jazz club Il Capo
(later renamed as Il Boko) in Zamalek.
WATUSA,
recorded in 1984 in the intimate atmosphere of the El Capo Club in Cairo, is a
composition for bigband, large percussion ensemble and dancers from the year
1967. During the long middle section all musicians of the Arkestra play
percussion instruments. After Jacson's solo on the big "infinity
drum" and Matthew Brown's conga-break, Salah Ragab takes an extensive drum
solo.
The
second drum solo is by Clifford Jarvis. The screams of the dancers Myriam
Broche and Gregory Pratt can only give a vague impression of the visual aspects
of this Egyptian March."
(Hartmut Geerken)Originally released in 1983 on vinyl, the "In Egypt" album got re-released in 1999 with two bonus tracks.
Data has been added to the United Mutations Archvives.
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