a fine 4cd set that included the band's version of Frank Zappa's ‘Don’t Eat The Yellow Snow’.
The 4 CD set is sold out but the entire set is now being made available on Bandcamp.
The message from Panzerballett :
Dear qB fans,https://www.startnext.com/en/panzerballett-live-album
Next September, celebrating 30 years of music by Malcolm Scarpa, the Caballero Reynaldo Producciones Psicotropicas label will be releasing a 3 CD box set with outtakes, demos, live takes, and more.
The box will also include Malcolm Scarpa's version of 'Twenty Small Cigars' (F. Zappa), previously released on one of the (unrivalled) "Unmatched" albums.
"Elliptical Orbits"
by Sun Ra & His Arkestra
Download / streaming album on Bandcamp.
A new King Gizzard album has been spotted !
As you know, KG&LW allows fans and independent labels to press and sell physical copies (vinyl, CD, cassettes) of the downloads that are offered by the band.
As long as they send a fair trade of copies back for the band to sell.
"Europe '25 Vol II" is such a release. It has been made available by the Reverberation Appreciation Society in July as a 3 LP set.
From 7D Media
Santa Fe, NM — 7D Media is proud to announce Solace, a dynamic new set of wholly improvised works from Jonathan Crossley, David Kollar and Lukas Ligeti. Recorded in June 2024 during an artistic residency at the University of Liverpool, the project captures three singular musical minds in deep, real-time dialogue.
On this recording, the digitally enabled guitar practices of Crossley and Kollar intersect with the polymetric, Africa-inflected drumming of Ligeti, generating environments that move between ambient, pulsating and rhythmically intricate states. Crossley's playing fuses guitar, synthesis and real-time digital control into an expanded, gestural improvisational language, while Kollar treats the guitar as a vehicle for expansive, genre-defying expression, ranging from tonal abstraction to avant-garde interplay. Ligeti's drumming draws on experimental, jazz, contemporary and world traditions, weaving overlapping polyrhythms and cross-cultural influences into a percussive approach that is both grounded and exploratory.
from: https://en.wikipedia.org/wiki/Music_of_Heroes
From the original soundtrack: 'Fire and Regeneration'
Tom Penaguin.
If the name doesn't ring a bell, you're missing out.
(I only learned about Tom Penaguin last week when I received a digital download of the album.)
This is spectacular.
Contemporary Canterbury scene instrumental progressive rock.
Composed,
played, recorded and mixed by Tom Penaguin...
French multi-instrumentalist Tom Penaguin (known for his work with psych-rockers Djiin and avant space-rock outfit Orgöne) surprised everyone in 2024 with his spectacular self-titled debut solo album.
For this project, Penaguin locked himself away in his home studio, surrounded by a mountain of vintage analog hardware, and recorded every single instrument himself. The resulting thirty-seven minutes of music act as a direct portal back to the golden era of the 1970s Canterbury Scene.
The album kicks off with 'The Stove Viewpoint Introduction', a short, electronics-laden piece full of modulated oscillations that feels very much like an invitation into a strange new landscape.
This effortlessly crossfades into the album's centerpiece, the magnificent 14-minute epic 'Housefly Leg'. Here, Penaguin showcases a staggering grasp of jazz-fusion and progressive interplay, calling to mind Bundles-era Soft Machine, Egg, and Hatfield and the North, while retaining the complex rhythmic vocabulary of Frank Zappa's Waka/Jawaka period. The shifting odd meters, heavy organ pads, and fluid guitar work are brilliantly executed, yet always maintain a playful, melodic accessibility.
'Aborted Long Piece No2', is a tight, classically influenced exercise driven by a syncopated drum beat and a heavy bass line that cuts out right before it overstays its welcome.
It breaks for 'Arrival of the Great Hedgehog', where Penaguin layers beautiful, understated electric piano chords before absolutely tearing into a soaring, emotional guitar solo that nods toward Steve Hillage.
Finally, 'The Stove Packed Up and Left' closes the album with a wonderfully pastoral, acoustic-leaning atmosphere reminiscent of Caravan or Camel.
This is an exceptionally strong, vibrant debut from an artist who doesn't just copy the past, but breathes fresh, imaginative life into it.
Highly recommended for any fan of classic progressive rock, complex jazz-fusion, and vintage Canterbury sounds.
You can listen to and purchase the album directly via the áMARXE Bandcamp page.
Ruins.
Not the Japanese, Magma-inspired duo, but the Italian duo that has been producing experimental music since 1978.
Featuring Alessandro Pizzin (who you might also know as Alieno de Bootes and who released the exiting "Unconventional Residents" Tribute-To-The-Residents-series) and Piergiuseppe Ciranna.
They have just released a new album on the Klanggalerie record label: "Cosa ? (Experimental Works)
'RefleKtions II'
by Eidon
dedicated to Bill Bruford
a journey to the French music scene by Alieno De Bootes.
00:06 - 03:24 - Moving Gelatine Plates - Memories (1971)Released in different versions, some of which have been slightly delayed.
But the Japanese (SHM)CD is out !
Selections from David Greenberger's archive !
13 different versions of 'Tramps In Bloom' by Men & Volts.
Live and rehearsal sessions.
In 1966, Frank Zappa and the Mothers of Invention released the album that started it all. Sixty years later, the Freak Out! 60th Anniversary Edition is officially unleashed and ready for pre-order.
The brand-new 60th Anniversary Super Deluxe Edition presents 5 CDs of material, featuring the newly remastered 1966 stereo mix, a previously unreleased pre-master mix, the long-awaited mono master mix, The Mothers live at The Fillmore, 1966 rehearsals, demos, rarities, vocal reference mixes, session outtakes, and a cornucopia of bonus material. It’s the mother lode of mother lodes.
In addition to that glorious monstrosity, the Blu-ray contains ATMOS, 5.1, and high-res audio options. The set is rounded out with an expanded booklet with rare photos, new essays, a very special new section of even more “Relevant Quotes,” and an original double-sided fold-out Freak Out! Hot Spots Map.
Also available on a 5LP Box Set, as well as a multi-colored 2LP vinyl edition. Arrives everywhere on September 25th.
“The Plaster Casters” album by The Plaster Caster Blues Band did not include the actual Plaster Casters Of Chicago (Cynthia Albritton and her assistant(s)) but was a group of session musicians improvising on a number of blues themes.
The album included ‘You Didn’t Try To Ball Me (Dedicated To Frank Zappa)’, a track that also got released on the B-side of their only 7” single release.
The LP got re-released in 2024 on a Russian (?) label.
American DJ, music producer, multi-instrumentalist, and rapper Madlib, released a follow-up to his 2013 ”Rock Konducta Pt. 1” album in 2014.
"Rock Konducta - Part 2" included :
In 2023, "Rock Konducta - Part 2" got re-released on smoke vinyl.
Starting the day with the latest album by the Michael Moore Universe Quartet is always a pleasure. Reed master Michael Moore, a crucial component of the ICP Orchestra, has delivered another beautiful album, "Listen !".
Michael Moore's warm, melancholic alto saxophone tone, combined with Guillermo Celano's guitar lines are joy to listen to.
On the Bandcamp page, Michael adds:
The rather presumptious title, the 'Universe' quartet, has to do with it being an exploration of my universe. It's a repertoire band, these guys are ready and willing to play anything I give them, and I am grateful for that.
My intent is, rather than break new ground, to explore older forms and make enjoyable music.
The advantage of being DIY one's whole life is that you have total freedom from commercial pressures; I can follow my muse anywhere, and this is where it has taken me!
The result is a beautiful album.
Take the album title as a strong recommendation and "Listen !":
-- info: Danny Mathys
Announced for September :
https://www.dustygroove.com/item/261610/Mothers-Of-Invention-Frank-Zappa-:Freak-Out-6CD-blu-ray-set?
The hyper-kinetic wunderkinds are back, and they are willfully testing the limits of what a "jazz duo" is supposed to sound like. Following their Grammy-nominated 2022 debut "NOT TiGHT," keyboardist Domi Louna and drummer JD Beck return with their sophomore effort, "Who Asked ?".
This time around, the duo has locked themselves in their Dallas home studio to emerge with an ambitious, highly structured, and downright dizzying slice of avant-garde chamber pop and maximalist jazz-prog.
Unlike the loose, improvisational grease of traditional fusion, "Who Asked ?" was completely meticulously mapped out on notation software before a single instrument was touched. The result is an album that feels entirely intentional—and completely unhinged. The duo handles vocals on nearly every track, creating an intricate web of "indietronica" sliced with Zappa-esque rhythmic sharp-turns and Carl Stalling-level cartoon logic.
Tracks like the fanfare opener 'Epiphanie' and 'Concertino (for Piano, Drums & Orchestra)' weave in a small sinfonietta of seasoned classical players, transforming their signature 1,000-notes-per-second velocity into full-blown orchestral madness. Meanwhile, tracks like 'Small Eyes' slow things down just a hair, blending a blue-mood jazz atmosphere with J Dilla-inspired drum deconstructions.
Beautiful, chaotic, and relentlessly demanding of your attention.
"Walden consists of a series of musical sketches inspired by the 1854 novel of the same name by Henry David Thoreau”, thus reads the short description of this project by Heiner Goebbels. But those familiar with the oeuvre of the German trans-media conceptualist and composer know that with Goebbels it’s never quite that simple. In his 1998 creation Walden, composed for expanded orchestra with speaker, Goebbels incorporates a wide-flung stream of inspirations and approaches, spanning excerpts from Thoreau’s “Walden”, soundscape-design in the spirit of audio plays, arsenals of outlandish instruments and sonic layouts as much at home in the avantgarde as they borrow from popular music, all brought to life with Peter Eötvös conducting and Bob Rutman a main figure in this project – in the role of the narrator.
-- info: Jan van Kemenade